Wayne Hastings Carew-Reid Perth  Western Australian Multi Millionaire Businessman 

https://inltv.co.uk/index.php/pippin-louise-drysdale-nee-carew-reid-world-famous-ceramic-artist

Who is the brother of World Famous Famous Ceramic Artist Pippen Louise Drysdale (Nee Carew-Reid).,  who is the highest income earner of any Australian  ceramic artist

Wayne Hastings Carew-Reid is also the brother of well known News York USA Activist and Classical guitarist Lloyd MacKennal Carew-Reid 

https://inltv.co.uk/index.php/lloydcarew-reid-justice-inlnews-com

 Wayne Hastings Carew-Reid is a Perth  Western Australian Multi Millionaire Businessman who  is married to Anne Marie Carew-Reid  (Nee Helien) who is a multi millionaire solicitor and business woman.

1.   Carew-Reid    

Inside The Fremantle Studio Of Ceramics Legend, Pippin Drysdale

Pippen Louise Drysdale (Nee Carew-Reid) Perth's World Famous Cermanic Artist. 

Multi Millionaire Pippin Louise Drysdale (Nee Carew-Reid) world famous ceramic Artist

 Louise Drysdale (Nee Carew-Reid) is the highest ceramic artist earner in Australia

 Louise Drysdale (Nee Carew-Reid)'s father was a cornel in the intelligence for the Australian and USA Air Forces during the 2nd World War. and was a founding member of the Commonwealth Police of Australia (now known as the Australian Federal Police) and the Australian Security Intelligence Organization (ASIO).  

Louise Drysdale (Nee Carew-Reid) was helped by her father's high level government and business contacts in London and her former husband's surname 'Drysdale', who was the nephew of the world famous Australian Artist Russell Drysdale to be able to market her ceramic work in London and world wide.

Louise Drysdale (Nee Carew-Reid) is the oldest of parents well known in high society circles in Perth, Western Australian as 'Patty and Bunny'... Louise Drysdale (Nee Carew-Reid) is the sister of Peth multi millionaire businessman Wayne Hastings Carew-Reid and Lloyd MacKennal Carew-Reid who is  

famous New York Activist who played a cat-and-mouse  with Manhattan Cops fighting for busker's rights, Classical Guitarist and IT Legal  Educator and Instructional Designer at Katz School at Yashiva University 500 W 185th  in New York City, New York, USA Tel:  + 1 646 592 4753

Wayne Hastings Carew-Reid And His Wife Anne Marie Carew-Reid

Wayne Hastings Carew-Reid and His Solicitor Wife Anne Marie Carew-Reid are well known multi millionaires in Perth, Western Australia. Wayne Hastings is the younger brother of Pippen Drysdale (Nee Carew-Reid)

Photo of Perth Multi Millionaires  Wayne Hastings Carew-Reid And His Wife Anne Marie Carew-Reid Ph1

An indepth 50 year investigation report into the financial life and background completed on Wayne Hastings Carew-Reid and  Anne Marie Carew-Reid and their children Adam, Jeremy  and Michelle  show some of the following facts, among many others:

Wayne and Anne Carew-Reid  live in a multi  million dollar home at 5 Francis Street, Mosman Park, Western Australia, they purchased in the 1970's, which was renovated using a large of money from Wayne Hastings Carew-Reid's brother's company Carew Corporation Pty Ltd (formerly Colourstone Constructions Pty Ltd).

In the early 1980's Wayne and Anne Carew-Reid also used a large amount of  money from Wayne Hastings Carew-Reid's brother's company Carew Corporation Pty Ltd (formerly Colourstone Constructions Pty Ltd) to pay off large debts they had to solve a serious financial problem, which was partly caused by over borrowing to purchase the property next door to 5 Francis Street, Mosman Park, Western Australia, which at the time became worth less than the amount of their mortgage loan.

In the late 1970's and early 1980's Wayne and Anne Carew-Reid also used a large amount of  money from Wayne Hastings Carew-Reid's brother's company Carew Corporation Pty Ltd (formerly Colourstone Constructions Pty Ltd) to start and develop a environmentally friendly pest control products business  products called Starkeys.

Pippin's work please visit http://www.michaelreid.com.au/artists..

.  Wayne Hastings Carew-Reid multi millionaire Perth Businessman, is also a top golfer who has been a member of the Cottesloe Golf Course since he was a teenager

1. After selling their Alexanders Coffee Shop in a suburb of Perth. which was financed from funds from his brother's company ....in the late 1970's and early 1980's, Wayne Hastings Carew-Reid and his solicitor wife Anne Marie Carew-Reid, of 5 Francis Street, Mosman Park, Western Australia, started Starkeys Pest Control Solutions Business in Wangara, in Perth Western Australia, also backed by funds from his brother's company ....  it is understood that Wayne and Anne Carew-Reid sold the Starkey's business for around $20 million dollars to the multi Billon Pound UK PestWest Group, part of Killgerm Chemicals Ltd 

Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, Starkeys Products has been producing high quality insect light traps and electric fly killers under the Starkeys brand for the Australian, New Zealand & Asian markets for over 4 decades. More recently, the business has also diversified into the manufacture of bespoke toolbox systems under the Brute Toolboxes brand.

Commenting on the acquisition, Rupert Broome, Killgerm Group Managing Director, said: “Our PestWest Division has been competing with Starkeys Products for many years, and in that time we have developed a deep respect for the quality of the Starkeys products, their market penetration, and – most importantly – the dedication and professionalism of the staff within the Starkeys Products business.

We see many synergies between the PestWest and Starkeys businesses, in terms of products, customers and geographic coverage. Acquiring a strategic manufacturing asset in Australia will also complement and strengthen the existing global footprint for the PestWest Division, alongside existing operations in the USA, the UK and in China.

Cultural fit is also extremely important to us, and I am delighted that the existing management team, led by Adam Carew-Reid as CEO, will continue to drive forward the Starkeys business, now with the added benefit of the resources of the whole of Killgerm Group to support their efforts.”

Given the strength of the product and company name, Starkeys Products will continue to trade under that name, as part of the PestWest Division.

Adam Carew-Reid, CEO of Starkeys Products, added:
“We are delighted to now be part of Killgerm Group; the joining of businesses is truly a substantial step forward for the future of Starkeys Products. We will continue to manufacture our products to the same high standard in Australia, while maintaining our renowned personal service & regular contact with our all customers around the globe.

I am looking forward to an exciting future with Killgerm Group, which is both professional & highly respected in the pest control industry. Our businesses will share a great synergy, while enjoying the added benefits of each other’s experience in the international market”.

https://www.killgerm.com/australian-acquisition-announced-by-killgerm-group-ltd/

www.pestwest.com.au

PestWest Australiahttps://www.pestwest.com.au4Tesla Link, Wangara, WA, 6065 Australia

• Phone: +61 (08) 9302 2088
• Email: info@pestwest.com.au

.. pest control solutions on the market. ... High quality, industrial strength tool boxes. Brute Toolboxes. More info. StarkeysAs part of the  Starkey's sale agreement to the PestWest Group, ot was agreed that Wayne Carew-Reid's son, Adam Carew-Reid remain as manager of the Wangara Branch of Pest West, part of Killgerm Chemicals Ltd .

Killgerm Chemicals Ltdhttps://www.killgerm.com › australian-acquisition-annou... Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, ..YUMPUhttps://www.yumpu.com › document › view 29 May 2014 — Adam Carew-Reid 0412 961 017<br />. Office: 9385 5559<br />. capornyoung ... Nedlands golf course,” he<br />. said.<br />. “Other bonuses are its ...

Wayne Carew-Reid Bassendean WA 6054 0417 098 302

Attended Christ Church Grammar School

https://obafiles.ccgs.wa.edu.au/Mitre/1968-december.pdf

ccgs.wa.edu.auhttp://obafiles.ccgs.wa.edu.au › Mitre › 1968-dece... Carew-Reid; Vice-Captain, R. E. Payne. Gymnastics: Captain, K. I. M. Oldham; Vice-Captain, N. D. R. Cock. Basketball: Captain, M. L. Taylor; Vice-Captain ...Brothers Include:  multi millionaire Perth Businessman Wayne Hastings Carew-Reid 

Lloyd MacKennal Carew-Reid who is am Instructional Designer at Katz School at Yeshiva University who partners with the facility to design and deliver content for an optimal learning experience  for their students, who says he uses AI to streamline the development process.... Lloyd Carew-Reid Speaks About Evolving Legal Education To Encompass Entrepreneurship Lloyd MacKennal Carew-Reid  is famous for his Time Magazine articles

• MUSICIAN New York, United States

 https://busk.co/3101 About New York; Europe Can Wait: Musician Adopts An S.R.O. Hotel - The New York Timeshttps://www.nytimes.com/1987/08/22/nyregion/about-new-york-europe-can-wait-musician-adopts-an-sro-hotel.html About the ArchiveThis is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions.

On his way to Germany from Australia to pursue a career as a classical guitarist, Lloyd Carew-Reid somehow landed at the Kenmore, a dismal single-room occupancy hotel on East 23d Street. His neighbors included many respectable people, low on cash like himself, as well as reputed drug dealers and prostitutes and one woman who seemed to think she was a rooster.

''I couldn't believe it,'' said Mr. Carew-Reid, who had never been to New York before. ''I thought this was what happened to all New Yorkers - it drove them crazy. I thought, 'I've got to get out of here.' ''

Some of the residents had come to their $90-a-week rooms at the hotel between Lexington and Third Avenues from mental institutions. Even for those suffering from only the usual neuroses, life at the hotel, as Mr. Carew-Reid soon learned, was a daily test of will, one that threatened to drive all but the most resilient -or perhaps the most detached - to the brink.

In a building with 22 floors, the elevators were constantly breaking down - and that was a relatively minor problem. Elderly women had their purses grabbed out from under the communal toilet stalls. A man got into a fight with his girlfriend and stabbed her to death. Another woman was raped.

That was 18 months ago. Mr. Carew-Reid never made it to Germany. He was beguiled by Manhattan and, in a strange way, by the Kenmore. He stayed on there, even after he was making enough money playing Mozart in the subways to move to better quarters.

How could he leave? The 37-year-old traveler from Perth had become president of the first Kenmore Hotel Tenants Association and was embroiled in legal battles against the landlord in an attempt to improve conditions at the hotel. ''I keep saying, 'Lloyd, you've got to cut back, you're losing yourself,' '' he said. He was sorting through his legal files in his cramped room on the 20th floor, where his book collection includes ''One Hundred Years of Solitude'' as well as that other classic he swears by - ''Tenants Rights and How to Protect Them.''

His fellow tenants regard Mr. Carew-Reid as their own ''Crocodile Dundee,'' but unlike the movie hero, he does not live at the Plaza.

''He's our guiding light,'' said Mary, a secretary who has lived at the hotel since 1954. ''We trust him.''

''We're blessed to have him,'' said Peggy, an 11-year resident.

''The Kenmore is my family,'' Mr. Carew-Reid said.

Shortly after his arrival, he found a notice of a tenants meeting under his door, and went. It had been called by Norman Silvar, a retired merchant seaman who lived at the Kenmore for 30 years, until his death of a heart attack last summer. Mr. Silvar apparently remained an inspired idealist until the end.

''He had a whole pipe dream,'' Mr. Carew-Reid said. ''He had a computer in his room. He wanted us to write a constitution. He wanted to have floor captains. He was an old union man. He kept telling me, 'Lloyd, you've got to go and get Robert's Rules of Order.' ''

Mr. Carew-Reid did buy Robert's Rules of Order, but he never uses them. This group of tenants has concerns far more pressing than the observance of the proper protocol. ''You cannot organize the Kenmore,'' he said.

The latest meeting was held in the hotel's dirty, windowless lounge, with its neon-green vinyl chairs. The tenants, among them a gentleman dressed only in a black slip, swatted flies as they recited their complaints. The latest hallway mugging was reported. A member of the management stopped by uninvited to suggest that the tenants had sabotaged the elevators by stealing key parts.

Mr. Carew-Reid listened calmly. ''Meditation is the answer,'' he said later. He also finds it helpful to make regular visits to a psychologist, who gives him a break on the fee.

Like most landlord-tenant battles, this one drags on. Progress is measured in small triumphs like the reappearance of the security guards, the repair of the elevators, a steady supply of toilet paper. Constant vigilance is required on the part of the tenants. The Kenmore, according to lawyers at MFY Legal Services, which is handling the tenants' case, is not the worst single room occupancy hotel in the city, nor is it the best.

Mr. Carew-Reid has already won one battle against the bureaucracy. Last year, while playing his guitar in the subways, he was given a summons by the Metropolitan Transit Authority for ''unauthorized noise through a reproduction device.'' He argued First Amendment rights and the charges were dropped.

It is all part of the adventure for this Australian, a former gymnast, dishwasher and accountant, who once worked in a gold mine in the Outback, 200 miles from the nearest town, where summer temperatures reach 120 degrees.

The gold mine turned out to be valuable preparation for Mr. Carew-Reid's experience at the Kenmore. As he put it: ''I'm in the outback of New York here.''

and

"The Is Against My Rights" published in 6th July 1987 https://time.com/archive/6709741/this-is-against-my-rights/ This Is Against My Rights! | TIME

by GREGORY JAYNES JULY 6, 1987  Time Magazine 

For three years Lloyd Carew-Reid, a classical guitarist living in New York City, played a cat-and-mouse game with Manhattan cops. What the man wanted to do was make music in the subway system, hoping his melodies would coax some change out of commuters’ pockets. But there were rules against such conduct. In time Carew-Reid, an Australian, got down on himself for trying to make a living in so frustrating a fashion. Then one night a banal but correct notion changed his life. “This is America!” was his thought. “They can’t do this to me! It’s against my constitutional rights!” The musician and the First Amendment double-teamed the court and won. These mornings you can catch him happily playing below-ground Bach at 59th and Lexington, where he says, “It’s a free world down here now.”

So it goes throughout this litigious land. In Wisconsin, Selena Fox, a witch, is fighting local zoning laws so that she may conduct religious ceremonies on her property. In Oklahoma, Lucille McCord and Joann Bell, two mothers, successfully ended school prayer with a suit, then, after Bell was assaulted and her home burned, the women sued again and won undisclosed damages from the school district of Little Axe. In Montana, Donna Todd filed her tax return after typing on her 1040 form, “Signed involuntarily under penalty of statutory punishment.” The Internal Revenue Service fined her $500 for filing a “frivolous” return. Todd and the courts battle on. Here and there, sanctuary, sanctuary, sanctuary is all the word. Kay Kelly of Tucson, for example, was placed under house arrest for refusing to give the name of the Guatemalan she had sheltered. She contended her right to keep silent on the name was a religious issue.

Well, one could go on, but the point is that the civil docket still makes room for more than whiplash, malpractice, what have you, still accommodates the citizen who has nothing grander to gain than the Republic’s concession that he was right and it was wrong, which is pretty grand. In Louisiana, a Vietnamese schoolgirl, no bigger than a pencil sharpened to a nub, had no larger scheme than to publish a newspaper for the “out crowd” at her Louisiana high school, but she ran afoul of her principal nonetheless. In California, a black entrepreneur who sports a thick thatch of provocative dreadlocks and enjoys late-night strolls, even in white neighborhoods, didn’t particularly care for being stopped 15 times for vagrancy. He felt that his looks, race and whereabouts were what had invited police inquiry and that these things added up to undue cause. Neither the schoolgirl nor the entrepreneur gave up; they went to the bench.

None of these people are larger-than-life Jimmy Stewarts in a Frank Capra piece; rather, they are obscure citizens who felt slighted on their home patch and sought redress. As subjects, they are what crusty journalists of another age called the “little people.” Forty years ago, Joseph Mitchell, the New Yorker writer, bridled at this condescension: “They are as big as you are, whoever you are.” With that in mind, herewith the cases of the guitarist, Carew-Reid; the student, Cat Nguyen; and the entrepreneur, Edward Lawson.

Lloyd Carew-Reid, the street musician from Perth, is a squirrelly little guy, blond beard, soft speech, 37 years old, who lives on the rim of the Chelsea area of Manhattan in a dog-eared hotel where drug deals and muggings go down every month or so, where one mad woman thinks she’s a rooster. His home environment to some would seem a nightmare; his work environment to most would seem hell. After a day of breathing the iron filings in the New York City subways, one would think he could blow his nose and sink a Hudson River liner. Worse, a braking train in a tunnel in this town can sound like a ten- ton banshee caught in a vise. And yet there he sits, caressing an acoustic guitar in bedlam, playing Bach and Mozart, Francisco Tarrega and Erik Satie, and one of the reasons he got his back up about it was that the city had the gall to hit him with an environmental charge: making unnecessary noise.

In 1985 the Metropolitan Transit Authority issued 3,000 summonses for “unauthorized noise through a reproduction device,” a catchall ordinance that covered radios as well as musical instruments, amplified or no. In April of the following year, Carew-Reid was also ticketed three times for “solicitation for entertainment.” “Right,” the guitarist said sarcastically. “It’s a horrible situation down there, and it should remain so.” What really got his goat was “the bureaucratic arrogance of it all. Rules. Rules. You’ve got to have rules. How can rules apply to aesthetics?”

The transit authority replied that musicians setting up shop on densely packed platforms posed safety problems. Said a spokesman: “We do not allow any unsanctioned playing of instruments on the subways.” Carew-Reid chose to challenge the constitutionality of the authority’s rules against his unsanctioned playing. The T.A. dropped all charges against Carew-Reid in January, stopped issuing summonses to musicians (unless they are found to be blocking an entrance or interfering with train operations — rare instances, both), and said it would rewrite its regulations.

“It was the best possible victory,” Carew-Reid says. “I was almost developing a hate-cop mentality. Now I feel pleased when I see one come up. Sometimes they say, ‘That was nice.’ “

One recent drizzly morning, a lot of people expressed similar sentiments. “God bless you,” a woman said in a note she dropped into the musician’s guitar case, along with a dollar. “Lovely,” said others. “Just beautiful.” At the end of the day, the guitarist pockets between $40 and $60, his normal take. Then he returns to the fleabag he calls home, takes up his duties as president of the tenants’ association and works for better housing conditions.

“This is America, isn’t it? People don’t have to live in squalor.”

Posted on March 31, 2015 by Matthew Christianhttps://buskny.com/category/sample-cases/ 

On Thursday, BuskNY and City Lore will host an evening of songs and stories in a first commemoration of the 1985 case People v Manning, the first to explicitly provide constitutional protection to New York City’s subway performers.

But though Manning was a crucial step forward for performers, it was far from a definitive legalization. The preparation for this program has led us across a trove of documents that reveal a story of legalization more complex and more hard-fought than what is often told. This post will seek to rectify the paucity of information on that era by presenting a few of the performers, activists, and original documents that shaped the period.

The chapter of subway history most familiar to today’s performers is the 1985 case People v. Manning. In that case, “punk-folk vagabond” guitarist Roger Manning contested tickets he received, in the spring of 1985, under the then-current MTA regulation 1051.3, which forbade riders to “entertain passengers by singing, dancing or playing any musical instrument.”

The original People v Manning summons

In the first case where constitutional protection was explicitly granted to subway performance, the court found in his favor, establishing rule 1051.3 as “unconstitutionally violative of the First and Fourteenth Amendments,” relying on NYCLU lawyer Art Eisenberg’s citation of previous First Amendment protection in the 1968 case People v St Clair:

People v Manning, 1985

In her decision, Judge Diane Lebedeff notes that the NYCTA “amended its regulation concerning disorderly conduct effective June 14, 1985.” In that amendment, in which the modern-day rule 1050.6 was created, the TA “no longer place[d] a prohibition on any kind of entertainment.” In other words, in the nick of time before the release of the Manning decision, the TA had already removed its explicit restriction on performance.

Still, in practical terms, People v. Manning and the accompanying rules change left the subway little safer for most performers. Summonses continued to be written, not only on pretexts like blocking traffic, but also under the new 1050.6(b) ban on “solicit[ing] money for goods, services or entertainment.” Although performers accepted donations rather than soliciting them, this nuance was lost on MTA agents — and on police as well.

Worse, the MTA attempted to describe membership in the new program Music Under New York as a legal requirement:

1985 MUNY “permit”

Enter Lloyd Carew-Reid, an Australian-born classical guitarist who chose to contest the MTA’s summonses. Carew-Reid’s fight stuck, both legally and in the public eye. Ultimately, the MTA was forced, according to a January 30, 1987 AP article, “to put a moratorium on issuing summonses” to subway performers. (Later, in 1989, it would issue the new rule 1050.6(c), recently publicized during the arrest of Andrew Kalleen, which for the first time explicitly stated that “artistic performance, including the acceptance of donations” was permitted).

Carew-Reid in NY Post, 1987

For this reason, Carew-Reid argued in performer and journalist Stephen Witt’s long-running column The Street Singer’s Beat circa 1989, “Roger [Manning]’s case [only] brought on a new law, ‘No entertainment for the purpose of soliciting’. My case actually changed the policy. That’s why for the last two years, nobody has been ticketed.” In a word, then, 1987 saw the practical legalization of performance as the MTA ceased to systematically issue tickets; 1989 would then see explicit allowance of busking, under 1050.6 (c).

Carew-Reid, featured in The Street Singer’s Beat

Carew-Reid and his advocacy organization, Subway Troubadours Against Repression (STAR), went on, in a historical series of public hearings, to successfully fight a proposed rules change banning performance on platforms. STAR also fought a ban on amplifiers on the platforms, arguing that the rights of those performers whose genres inherently involve amplification were being violated. (This argument resulted in a stay against the amplifier ban by the Second Circuit Court of Appeals, but was ultimately rejected. Amplifiers remain banned on the platform, but are permitted on the mezzanine level).

Following STAR’s lengthy fight to protect performers, the gap was filled, in the late 1990s, by the Street Performers Advocacy Project, which emerged from the pioneering academic work of Susie Tanenbaum. SPAP produced a written pamphlet to advise performers of their rights, and informed countless more through a widely-cited online resource, the Know Your Rights guide.

Still, despite these decades of advocacy, the safety of subway performers remains precarious. Due to inaccurate media coverage of Music Under New York auditions, which erroneously suggest MUNY membership to be a legal requirement or “permit,” performers continue to be wrongfully ejected, ticketed, and even arrested.

Subway performers rally at City Hall, August 2014

As one such arrestee, I have channeled my experience into co-founding BuskNY, which has spoken out for threatened performers. Others, including  Erik Meier and Andrew Kalleen, have spoken out, with Kalleen’s video alone reaching 1.5 million viewers online.

The most recent chapter of subway performance history has thus seen greater attention brought to the legality of performance — and, we hope, a move toward the definitive end of the oppression fought by Manning, Carew-Reid, STAR, SPAP, and many more.

Posted in NYC buskers, Sample cases, Voices on busking | Tagged buskers' rights, Busking, busking history, subway music, subway performance

Posted on October 7, 2013 by Matthew Christian

This is the second post in our case database series.

I would write up today’s news that the charges associated with my July 25th arrest were dropped, but there’s very little fanfare to report. When my name was called in court, I didn’t even have fifteen seconds of fame: the judge asked if I was indeed named Matthew Christian, I said I was, and she said: “alright, you’re all set.” And that was that: no paperwork, and not the least crumb of a sense that the city regrets having had me arrested for playing the violin.

There is one very important piece of take-away information from these: having video evidence of your arrest is important. In the video I took, my arresting officer insists that I’m not allowed to perform without a permit. That claim — which he used on video to justify my arrest — doesn’t hold water legal, as there is no such permit. The police flirted briefly with charges for blocking traffic, but since the police in the video had raised no concern about traffic, and since there had been no visible problem with traffic, they changed to a very dated state law concerning train stations.

The assistant district attorney handling my case could evidently see that wouldn’t fly. My Legal Aid attorney informed me a week ago that they had spoken by phone and that the charges would be dropped.

Could this case have gone differently? Sure: my arrest on 6/18 involved precisely the same circumstances, but because I didn’t take a video, I’m still charged with blocking traffic. If my arresting officer from 7/25 claimed that I was blocking traffic, it’s patently obvious that he’s lying; but if my arresting officer from 6/18 claims the same thing, it’s his word against mine. That case will be resolved tomorrow, and unfortunately, the lack of video means I’ll have to accept an ACD.

Posted in Sample cases | Tagged buskers' rights, Case database, NYC buskers, performers' rights

Posted on September 10, 2013 by Matthew Christian

This is the first post in our case database. Hoping it grows, to give performers more information about dealing with legal threats in the future.

We had some good news in court today — not for me, but for a friend. She had been issued a pink summons for playing the guitar and singing at 53rd St. Once again, the charge didn’t fit the crime artistic performance: she was facing §240.20, ‘Disorderly Conduct.’ The statute reads:

A person is guilty of disorderly conduct when, with intent to cause public inconvenience, annoyance or alarm, or recklessly creating a risk thereof:
[…]
5. He obstructs vehicular or pedestrian traffic.

Of course, it could have been worse: she could have been charged with section 7, “[creating] a hazardous or physically offensive condition by any act which serves no legitimate purpose.” These laws are so hurtful!

On a more serious note, she went in for her court date and reports having had the charges immediately dropped. So that’s a victory for sanity, for music, and for culture. Cheers, all!

Posted in Legal tips, Sample cases | Tagged buskers' rights, busking legality, busking rights, Busking summons, Disorderly conduct, Manhattan "Criminal" Court, Music is Legal, NYC busking, Summons for performing music | 1 Comment

https://australia.chevron.com/who-we-are/our-headquarters/meet-the-artists/pippin-drysdale

Pippin Drysdale (NeeCarew-Reid) On SundayArts Apr 15th 2010 Leading Australian Ceramicist Pippin DrysdaleTalks About Her Work On Sunday Arts  Sun Arts Pippin Drysdale (Nee Carew-Reid)July 30th 2009 Australian Ceramic Artist  Pippin DrysdaleTalks On ABC Sunday Arts Programme About Her WorkApr 15, 2010 A Pippin Louise Drysdale (Nee Carew-Reid) creation

Continuing the diversity and inclusion series which runs throughout the building, internationally renowned Western Australian ceramicist Pippin Drysdale’s Ochre Pit Series I echoes the striking colour variations of ochres; from the creamy whites and pastel pinks of Greater Perth to the mustard yellows, bright oranges to deep reds, and their soft nuanced purple shadows of the Pilbara deserts. The silky surfaces of the 17 individual marbles are linked by fine white lines incised into the porcelain and grouped together as a landscape.

“It was on a study tour to Central Australia that I visited the Ochre Pits. I was overwhelmed by their amazing colours and understood how precious and vulnerable these ochres are. I have never taken photographs of my travels but have absorbed qualities and characteristics through my mind and eyes and stored these impressions in my memory. All these years later, I was thrilled to recall this phenomenon and to respond to this landscape by creating a suite of porcelain sculptures that are true to my memories.”

Pippin Louise Drysdale (Nee Carew-Reid)
Born Naarm | Melbourne, Victoria
Lives and works Boorloo | Perth

In 2015, Pippin Drysdale was honoured by the Government as a State Living Treasure. These distinguished honours are offered to artists whose artistic achievements merit exceptional recognition and whose contribution to the State offers an ongoing unequalled legacy. Additionally, in 2020 she was the recipient of an Honorary Doctorate from Curtin University, where she also has the distinction of a retrospective exhibition.

One the Esplanade artist profile — Australia.chevron.com

https://australia.chevron.com/who-we-are/our-headquarters/meet-the-artists/pippin-drysdale 

 Pippin Drysdale - Joanna Bird : Joanna Bird

https://www.joannabird.com/artist/pippin-drysdale/ 

An acclaimed International Artist and Master of Australian Craft, Pippin Drysdale’s career as a ceramic artist spans 40 years. Her passion for the craft merges with a love of the landscape, which has travelled across continents and in most recent years has focused on the vivid desert landscapes of Australia.

Her works evoke a timeless and breathtaking sense of space and place within finely crafted porcelain vessels, narrating the mesmerising vastness of colour experienced in the unique Australian landscape. The landscape is the ever-constant lure, the catalyst for making, the connecting point and anchor for each new development. Her works is ambitious. It negotiates interweaving journeys through various landscapes describing her artistic practice and her engagement with the sites she documents.

Through a continuing investigation of the flora and landforms of these unique areas of Australia and a commitment to engaging with the cultural, social and political agendas that are shaping them, she is open to embrace each new creative challenge.

Pippin Drysdale has been chosen as one of Western Australia’s 15 Living Treasures. The 2015 State Living Treasures Award recipients were chosen by a panel of distinguished members of the arts and culture community.

Price range: from £1,200

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2017

H 13 x D 14 cm  Ref. JB125  POA

Pyrites Lustre CXXVII  > Enquire

Lustred porcelain vessel

H 12.5 x D 14.5 cm  Ref. JB122 POA

Darting Dragonflies  > Enquire

Porcelain open vessel

H 25 x D 18 cm

Ref. JB140 POA

Sandfire 1915  > Enquire

Porcelain Open Vessel

H 23 x D 12 cm Ref. JB143 POA

Breakaway Series  > Enquire

Porcelain open vessel

H 23 x D 18 cm

 Ref. JB138 POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Wattle Tree  > Enquire

Porcelain open vessel

H 19 x D 17 cm  Ref. JB130 POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Boab Haze  > Sold

Porcelain Open Vessel

Pilbara Series III H 24 x D 16.5 cm

Ref. JB128  POA

Breakaways, I  >

Enquire

Breakaways series

Porcelain Open Vessel and Marbles

L – R

H 25 x D 17 cm  Sold

H 30 x D 22 cm  Sold

H 16 x D 12 cm

H 11 x D 15 cm

Ref. JB204, JB139, JB201, JB202  POA

A Pippin Louise Drysdale (Nee Carew-Reid) CreationA Pippin Louise Drysdale (Nee Carew-Reid) Creation

Breakaways, II  > Enquire

Breakaways series Porcelain Open Vessel and Marbles

L – R

H 27 x D 28 cm

H  24 x D 15  cm  Sold

H 27 x D 20 cm

H 11 x D 15 cm

Ref. JB87, JB206, JB205, JB202 POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Breakaways, III  > Enquire

Breakaways series

Porcelain Open Vessel and Marbles

L – R

H 17.5 x D 15.5 cm

H 13 x D 14 cm  Sold

H 23 x D 18 cm

Ref. JB207, JB203, JB138

POA

Jigal Tree  > Sold

Porcelain Open Vessel

H 14.5 x D 12 cm

Ref. JB141

POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Westonia Lights Mine Marble V, Westonia Lights Mine III, Devils Marbles III  >

Enquire

Left: H 30 x W 27 cm

Middle: H 20 x W 17 cm Sold

Right: H 21 x W 20 cm

Ref. JB111, JB109, JB84 POA

Westonia Lights Mine VI  > Sold

Porcelain closed lustre form

L 25 x W 24 x H 27

Ref. JB112 POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Pyrites Lustre CIII  > Sold

Porcelain Open Vessel

Pyrites Lustre Series

2017

H 22 x D 22 cm Ref. JB113

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Pyrites Lustre CXX  > Sold

Porcelain Open Vessel

Pyrites Lustre Series 2017

H 12 x D 15 cm

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Pyrites Lustre CXV  > Sold

Porcelain Open Vessel

Pyrites Lustre Series

2017

H 12 x D 16.5 c   Ref. JB116

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Devils Marbles I-III  > Enquire

Porcelain closed forms

W 110 x D 40 cm POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation Rare Earth I  > Sold

The Devils Marbles series

Porcelain forms with gold and platinum lustre

Tallest H 26cm POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Christmas Creek  > Sold

Porcelain open vessel

H 19 x D 20.5 cm  Ref. JB132

Dusk Ridge Line  > Enquire

Porcelain open vessel

H 35 x D 28 cm  Ref. JB90  POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Mimbi Caves  > Sold

Porcelain open vessel

Pilbara Series III

H 23 cm x D 16.5 cm  Ref. JB134

A Pippin Louise Drysdale (Nee Carew-Reid) Creation

Gouldian Finch  > Sold

Porcelain open vessel

Pilbara Series III

H 22 x D 16 cm Ref. JB129

A Pippin Louise Drysdale (Nee Carew-Reid) CreationSpinifex Rebirth  > Enquire

Porcelain open vessel

H 16 x D 18 cm  Ref. JB91  POA

A Pippin Louise Drysdale (Nee Carew-Reid) Creation 19 Grove Park Terrace
London
W4 3QE

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Open by appointment only except during exhibitions Pippin Drysdale - Wikipedia as at 19th June 2024https://en.wikipedia.org/wiki/Pippin_Drysdale Pippin DrysdaleBorn: Pippin Louise Carew-Reid18 May 1943 (age 81)Toorak, Melbourne, AustraliaNationality: AustralianAlma mater: Curtin UniversityKnown for: Ceramic artStyle: Modernism, Abstract expressionismWebsite: pippindrysdale.com

Pippin Drysdale (born 18 May 1943) is an Australian ceramic artist and art teacher. She is regarded as the foremost interpreter of the Australian landscape in the field of ceramics. Her works are known for their intensity of colour and linear markings that interpret the artist's relationship with the Australian landscape.[1] She was recognized as one of Western Australia’s State Living Treasures in 2015.[2][3] She is Australia's highest earning ceramicist.[4] 

Drysdale was born in Melbourne in 1943 into a wealthy family, and grew up in Perth from the age of three.[3] Her father, John Hastings "Bunny" Carew-Reid, was a successful businessman and real estate developer.[5] As a teenager she had art lessons from William Boissevain. At school, she excelled at art, but struggled with other subjects due to an undiagnosed vision problem that, although eventually discovered and corrected at age 12, set her on a rebellious course during her formative years.[5] She failed her Junior Certificate at Methodist Ladies' College, Perth. After leaving school, she attended a business college, from which she was expelled, and then a technical college, where she failed all subjects.[6] She then worked for a short stint at her father's company as a typist, then as a secretary in Canberra, then worked odd jobs in England for a year, and traveled throughout Europe. Returning to Australia in the early 1960s, she moved to Melbourne, married Christopher Drysdale in 1967 (divorced in 1972),[7] and had a son, Jason. In Melbourne she began selling art (Mexican paper flowers sold as "Pip’s Flowers").[3] She returned to Fremantle, Perth in the 1970s, and started a successful business selling herbs. Through a relationship with a potter who made ceramic structures for her herbs, Drysdale first discovered clay. That led to an Advanced Diploma in Ceramics at Western Australia School of Art and Design in 1982, followed by a 1982 trip to America where she studied with Daniel Rhodes and Toshiko Takaezu at the Anderson Ranch Art Center. Rhodes encouraged her to further her education at university level; Takaezu told her to ignore traditions and create her own sensibilities and techniques to suit her own environment.[8] Returning to Australia, Drysdale obtained a Bachelor of Arts (Fine Art) at Curtin University in 1986.[9]

After graduating, she worked and studied at Grazia Deruta Majolica Pottery, the Artists’ Union of Russia, Tomsk State University and Banff Centre for Arts and Creativity.[10]

Drysdale is a painter, a colourist, whose chosen canvases are ceramics. She draws inspiration from the landscapes of Australia’s vast desert country.[2] Places that inspire her include the Pilbara, the Eastern Goldfields-Esperance area, the Kimberley and Tanami Desert, as well as landscapes in Pakistan, India, Russia and Italy.[11] She is stimulated by the colours and textures of landscape, putting her emotional interpretations into her work.[3] Drysdale has taught ceramic art in Australia, Canada, UK, Italy and Russia. In 2007 she was awarded a Master of Craft, from Craft Australia, New South Wales and in 2015 the Government of Western Australia conferred on her the Living Treasure Award.[12][13]

Drysdale went from an initial period of throwing bowls to making slab plates that she used as canvases for expressionistic drawing with coloured slips, glazes, and resists.[4] She cites Willem de Kooning as an early influence.[4] Her early work is notable for eschewing the "brown sauce" that often douses craft pottery in favour of "complex colours and nervous decoration".[14]

Moving from slab plates to thrown vessels, Drysdale still retained her spontaneous style of decoration. She likes pure, simple forms where the forms do not intrude on the canvas-like aspects of the vessel. After residencies in Europe, the USA and Russia, during which she learned about majolica decoration and lustres, she produced the Totem and Carnivale series. Supported by one of many Australia Council grants awarded to her, Drysdale was able to study lustres in depth, producing the Over The Top series, full of rich gold and platinum lustres.[4]

Western Australia inspired the series Landscape Lustre (1994), Pinnacles (1995) and Eastern Goldfields. At this time Drysdale started a collaboration with master potter Warrick Palmateer, allowing her to concentrate on surface art while he threw the vessels.[4]

This glaze and lustre period reached its apogee in the Pakistan series, where multiple, liberal layers of glaze were followed each time by dousing in paraffin wax, scraping back, and filling.[4]

Drysdale moved from the toxicity of waxes and lustres to the much safer Liquitex medium, which also allowed her to further refine her line work.[4]

A 1998 airplane flight Drysdale took over northern Australia stands out to her as a key turning point. Flying low over Australia's Great Sandy Desert and the Tanami Desert, she was deeply impressed by the endless lines of parallel sand dunes stretching to the horizon, and their repetitive interplay of shadow and light. The linearity of her work also echoes the exposed rock strata everywhere to be seen in Australian deserts, so that truly "her ceramics are grounded in the tonal and linear patterns of the land".[15] She was also influenced by indigenous painting (she owns works by indigenous artists Queenie McKenzie and Kitty Kantilla)[16][17] and painter Fred Williams.[4] McKenzie's influence can be seen in the serried, stacked segments of landscape that recede to the horizon line, and Kantilla's influence is clearly evident in the motif of parallel, slanting or vertical lines within these landscape segments.

Coalescing all these influences and ideas together, Drysdale arrived at her signature style of intense colour and fine linework in the first Tanami series called Red Desert (Frankfurt, 2003), which was a great success.[4] Her technique encompasses the selection of a suitable vessel, the adding the layers of glaze, then the careful linear incisions with a knife through a masking resist to inscribe the tracery that defines and shapes each work. Because the masking medium quickly dries into a form too hard to inscribe, Drysdale can work only on one small section at a time. The inscribed lines are then brushed out and filled with thickly applied colour, and the excess colour is removed.

Installation of 2018 work inspired by Devils Marbles by Pippin Drysdale

Another feature of Drysdale's later oeuvre are her assemblages of asymmetrical pieces, suites of closed forms that echo geological features of

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Wayne Hastings Carew-Reid has one older sister and two brothers, which includes  well  known New York USA  rights activist and classical guitari Lloyd McKennal Carew-Reid  and Pippin Louise Drysdale (Nee Carew-Reid) World Famous Ceramic Artist,

Pippen Louise Drysdale's (Nee Carew-Reid)   recalls how she used to invite groups of wealthy WA collectors around to her studio “to get the first bite of the cherry” before a body of work was sent to a show. “I’d have all these pots on shelves and I’d give them each one of these torch-lights, it was hilarious! We’d go round and look at every piece and by the end of the evening I would have sold $20,000 or $30,000 worth of pots.”

“I’m probably the luckiest ceramic artist in the world. I’ve worked hard. But to have had the passion [to do] something I really love, and to have so much gratification around the world for my work is amazing. My Dad would have been proud of me. It’s taken a long time, a good 40 years. But you’ve got to do your time, and I’ve been very fortunate to have [had] all the time in the world.”

Gallerists such as Marianne Heller and Anna Grigson, of Quadrivium and Sabbia have also been instrumental, along with her dealers in London, Joanna Bird, and Adrian Sassoon in particular, who takes her work to the world’s major art fairs: Maastricht Art Fair, Holland, and Masterpiece, PAD, and COLLECT in London and The Salon: Art + Design in New York. These dealers have contacts with collectors who buy her work, although Drysdale has always been well-connected in her own right, and a canny marketer and self-promoter.

Some unpublished facts about Pippin Drysdale (Nee Carew-Reid) exclusive to the INLTV News Pippin was making cups and plates out of clay for quite sometime and selling them every Sunday at the local Fremantle Markets for around $20 to $50 each...Then one day Pippin decided to use her market manageress skills and well connected contacts with wives of multi millionaires Pippin was friendly with  ..... Pippin having gone to Methodist Ladies College with the sons and daughters of the who's who of Perth .... with many of her old school mates becoming some of the wealthiest and well connected people in the business, legal, radio, television, newspaper, banking, arts and financial groups in Perth, Western Australia..One of Pippin's close female friends was Janet Homes a Court, who was the wife of multi millionaire businessman, the late Robert Homes a Court...Janet would often drop into Pippin's cottage at 22 Tuckfield Street, Fremantle for morning tea,and to purpose some of Pippin's herbs from Pippin's herb garden ...One particular morning while Janet and Pippin were enjoying a cup of herbal tea and a home made scone, Janet noticed that Pippen had a massive blue coloured plate that Pippin had made from clay and fired in a unusual various selection of blue colours .... Janet then asked"Pippy.... did you make that lovely very large blue coloured  plate on your kitchen shelf...Pippin replied..." Yes Janet this is one of my personal  Pippy creations..."Janet then said.." oh Pippy, that lovely blue plate would look excellent on my new glass cabinet in my home entry porch, how much would you sell your plate to me to me for?"Pippen was caught out not knowing exactly what to say .. and had to act very naturally and relaxed, while she decided  of a price she would ask Janet for her plate... while keeping in mind that Janet and her husband Robert Homes a Court where very wealthy multi millionaires, and thus money was no object to them.. $50,000 to $100,000 would have been petty cash for them... so Pippy just picked s figure out of the air of $25,000...Janet replied ..... Not a problem Pippy $20,000 is fine.." Then Janet casually wrote out a personal cheque to Pippen for $25,000.Janet Homes a Court, left Pippin's cottage at 22 Tuckfield Street, Fremantle, and went home. and proudly placed her new Pippin Drysdale Creation purchase in her new glass cabinet, which was in her entry porch of her multi million dollar Mosman Park Home.Then the next day Janet had a few of her girls friends over for morning tea, who were wives of other Perth multi millionaires....  as they all walked into Janet's porch.... they all said ...."Janet were did you purchase that amazing large blue plate form and how much did it cost..?"Janet replied ..... " oh I purchased that beautiful unique blue plate from my good friend from Pippy Drysdale... for quite a cheap price of $25,0000 .. there is no doubt in my mind this plate will e worth over $100,000 in time to come...."All of Janet's multi millionaire friends all said that must have one as well, and they all ordered a plate each from Pippin Drysdale for $25,000 each .. That is the absolutely publicly untold true how the value of Pippin Drysdale's pottery pieces overnight. when from a market value of around $20 to $50 to $1,000 to $25,000 .... Watch this space for more publicly unknown true stores about the world famous Ceramic Artist Pippin Louise Drysdale (Nee Carew-Reid)

Wayne Hastings Carew-Reid multi millionaire Perth Businessman, is also a top golfer who has been a member of the Cottesloe Golf Course since he was a teenager

Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, Starkeys Products has been producing high quality insect light traps and electric fly killers under the Starkeys brand for the Australian, New Zealand & Asian markets for over 4 decades. More recently, the business has also diversified into the manufacture of bespoke toolbox systems under the Brute Toolboxes brand.

Commenting on the acquisition, Rupert Broome, Killgerm Group Managing Director, said: “Our PestWest Division has been competing with Starkeys Products for many years, and in that time we have developed a deep respect for the quality of the Starkeys products, their market penetration, and – most importantly – the dedication and professionalism of the staff within the Starkeys Products business.

We see many synergies between the PestWest and Starkeys businesses, in terms of products, customers and geographic coverage. Acquiring a strategic manufacturing asset in Australia will also complement and strengthen the existing global footprint for the PestWest Division, alongside existing operations in the USA, the UK and in China.

Cultural fit is also extremely important to us, and I am delighted that the existing management team, led by Adam Carew-Reid as CEO, will continue to drive forward the Starkeys business, now with the added benefit of the resources of the whole of Killgerm Group to support their efforts.”

Given the strength of the product and company name, Starkeys Products will continue to trade under that name, as part of the PestWest Division.

Adam Carew-Reid, CEO of Starkeys Products, added:
“We are delighted to now be part of Killgerm Group; the joining of businesses is truly a substantial step forward for the future of Starkeys Products. We will continue to manufacture our products to the same high standard in Australia, while maintaining our renowned personal service & regular contact with our all customers around the globe.

I am looking forward to an exciting future with Killgerm Group, which is both professional & highly respected in the pest control industry. Our businesses will share a great synergy, while enjoying the added benefits of each other’s experience in the international market”.

https://www.killgerm.com/australian-acquisition-announced-by-killgerm-group-ltd/

www.pestwest.com.au

PestWest Australiahttps://www.pestwest.com.au4Tesla Link, Wangara, WA, 6065 Australia

• Phone: +61 (08) 9302 2088
• Email: info@pestwest.com.au

.. pest control solutions on the market. ... High quality, industrial strength tool boxes. Brute Toolboxes. More info. StarkeysAs part of the  Starkey's sale agreement to the PestWest Group, ot was agreed that Wayne Carew-Reid's son, Adam Carew-Reid remain as manager of the Wangara Branch of Pest West, part of Killgerm Chemicals Ltd Killgerm Chemicals Ltdhttps://www.killgerm.com › australian-acquisition-annou... Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, ..YUMPUhttps://www.yumpu.com › document › view 29 May 2014 — Adam Carew-Reid 0412 961 017<br />. Office: 9385 5559<br />. capornyoung ... Nedlands golf course,” he<br />. said.<br />. “Other bonuses are its ...

Wayne Carew-Reid Bassendean WA 6054 0417 098 302

Attended Christ Church Grammar School

https://obafiles.ccgs.wa.edu.au/Mitre/1968-december.pdf

ccgs.wa.edu.auhttp://obafiles.ccgs.wa.edu.au › Mitre › 1968-dece... Carew-Reid; Vice-Captain, R. E. Payne. Gymnastics: Captain, K. I. M. Oldham; Vice-Captain, N. D. R. Cock. Basketball: Captain, M. L. Taylor; Vice-Captain ...Brothers Include:  multi millionaire Perth Businessman Wayne Hastings Carew-Reid Lloyd MacKennal Carew-Reid who is am Instructional Designer at Katz School at Yeshiva University who partners with the facility to design and deliver content for an optimal learning experience  for their students, who says he uses AI to streamline the development process

Wayne Hastings Carew-Reid multi millionaire Perth Businessman, is also a top golfer who has been a member of the Cottesloe Golf Course since he was a teenager

Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, Starkeys Products has been producing high quality insect light traps and electric fly killers under the Starkeys brand for the Australian, New Zealand & Asian markets for over 4 decades. More recently, the business has also diversified into the manufacture of bespoke toolbox systems under the Brute Toolboxes brand.

Commenting on the acquisition, Rupert Broome, Killgerm Group Managing Director, said: “Our PestWest Division has been competing with Starkeys Products for many years, and in that time we have developed a deep respect for the quality of the Starkeys products, their market penetration, and – most importantly – the dedication and professionalism of the staff within the Starkeys Products business.

We see many synergies between the PestWest and Starkeys businesses, in terms of products, customers and geographic coverage. Acquiring a strategic manufacturing asset in Australia will also complement and strengthen the existing global footprint for the PestWest Division, alongside existing operations in the USA, the UK and in China.

Cultural fit is also extremely important to us, and I am delighted that the existing management team, led by Adam Carew-Reid as CEO, will continue to drive forward the Starkeys business, now with the added benefit of the resources of the whole of Killgerm Group to support their efforts.”

Given the strength of the product and company name, Starkeys Products will continue to trade under that name, as part of the PestWest Division.

Adam Carew-Reid, CEO of Starkeys Products, added:
“We are delighted to now be part of Killgerm Group; the joining of businesses is truly a substantial step forward for the future of Starkeys Products. We will continue to manufacture our products to the same high standard in Australia, while maintaining our renowned personal service & regular contact with our all customers around the globe.

I am looking forward to an exciting future with Killgerm Group, which is both professional & highly respected in the pest control industry. Our businesses will share a great synergy, while enjoying the added benefits of each other’s experience in the international market”.

https://www.killgerm.com/australian-acquisition-announced-by-killgerm-group-ltd/

www.pestwest.com.au

PestWest Australiahttps://www.pestwest.com.au4Tesla Link, Wangara, WA, 6065 Australia

• Phone: +61 (08) 9302 2088
• Email: info@pestwest.com.au

.. pest control solutions on the market. ... High quality, industrial strength tool boxes. Brute Toolboxes. More info. StarkeysAs part of the  Starkey's sale agreement to the PestWest Group, ot was agreed that Wayne Carew-Reid's son, Adam Carew-Reid remain as manager of the Wangara Branch of Pest West, part of Killgerm Chemicals Ltd Killgerm Chemicals Ltdhttps://www.killgerm.com › australian-acquisition-annou... Today, Killgerm Group Ltd is proud to announce the completion of its acquisition of the Starkeys Products business. Based in Perth, Western Australia, ..YUMPUhttps://www.yumpu.com › document › view 29 May 2014 — Adam Carew-Reid 0412 961 017<br />. Office: 9385 5559<br />. capornyoung ... Nedlands golf course,” he<br />. said.<br />. “Other bonuses are its ...

Wayne Carew-Reid Bassendean WA 6054 0417 098 302

Attended Christ Church Grammar School

https://obafiles.ccgs.wa.edu.au/Mitre/1968-december.pdf

ccgs.wa.edu.auhttp://obafiles.ccgs.wa.edu.au › Mitre › 1968-dece... Carew-Reid; Vice-Captain, R. E. Payne. Gymnastics: Captain, K. I. M. Oldham; Vice-Captain, N. D. R. Cock. Basketball: Captain, M. L. Taylor; Vice-Captain ...Brothers Include:  multi millionaire Perth Businessman Wayne Hastings Carew-Reid Lloyd MacKennal Carew-Reid who is am Instructional Designer at Katz School at Yeshiva University who partners with the facility to design and deliver content for an optimal learning experience  for their students, who says he uses AI to streamline the development process

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Some History of the Carew Family Name

The surname Carew was taken to Ireland soon after the Norman invasion of England and was Gaelicized as de Carrún. In the 16th century a family called Carew from Devon played an important part in establishing the Tudor administration in Ireland.

Carew is a Welsh and Cornish habitation-type surname; it has also been used as a synonym for the Irish patronymic Ó Corráin. Carey can be a variant.

https://www.houseofnames.com/carew-family-crest

Motto: J'espere Bien
Motto Translation: I hope well.

Cornwall, one of the original six "Celtic nations" is the homeland to the surname Carew. A revival of the Cornish language which began in the 9th century AD has begun. No doubt this was the language spoken by distant forebears of the Carew family. Though surnames became common during medieval times, English people were formerly known only by a single name. The way in which hereditary surnames were adopted in medieval England is fascinating. Many Cornish surnames appear to be topographic surnames, which were given to people who resided near physical features such as hills, streams, churches, or types of trees, many are actually habitation surnames. The name Carew is a local type of surname and the Carew family lived in Cornwall. This name is derived from Welsh surname Caeriw, meaning dweller at the fort on the hill.

However, "we come upon a disputed etymology. Mr Carew in his 'Survey of Cornwall' tells us that 'his first ancestor came out of France with William the Conqueror by the name Karrow.' Karo, or Caro, is a Cornish word signifying hart or deer. Dugdale and most other authorities, believe that the family is denominated from Carew Castle in Pembrokeshire." 

The surname Carew was first found in Cornwall where the family first established themselves after the Conquest. The family are descended from "Gerald, son of Walter de Windsor, who lived in the reign of Henry I, which Walter was son of Otho, in the time of William the Conqueror." 

The surname Carew was first found in Cornwall where the family first established themselves after the Conquest. The family are descended from "Gerald, son of Walter de Windsor, who lived in the reign of Henry I, which Walter was son of Otho, in the time of William the Conqueror." 

"In the [parish of Antony in East, Cornwall] have resided for several centuries, many branches of the well known and justly respected family of Carew. Richard Carew, Esq. the celebrated historian of Cornwall, informs us in his Survey of the county, that his ancestors were originally from the continent, and that they came into this kingdom with William the Conqueror. Of the genealogy, progress, and connexion of his family with others, in passing down the stream of time, a detailed account may be found in his work, from page 102 to 106. " 

Carew Castle is located in Pembrokeshire, Wales that still stands today and has been held by the Carew family since it was built by Gerald de Winsor who took the name "de Carew" about 1100. " About the year 1300, by the marriage of Sir John de Carru with the coheiress of Mohun, this ancient family first became connected with the county of Devon." 2

One branch of the family was found at Beddington in Surrey from ancient times. "The church [of Beddington], beautifully situated in Beddington Park, close to the ancient mansion, is a handsome edifice with a fine tower, chiefly in the later English style; it was built in the reign of Richard II., and contains some monuments to the memory of the Carew family." 

"Harrowbear, or Harroburrow, [in the parish of Calstock, Cornwall] formerly a seat of the Carews of Antony, is now a farm house, and is the property of Mr. John Worth." 

This web page shows only a small excerpt of our Carew research. Another 178 words (13 lines of text) covering the years 1050, 1280, 1323, 1324, 1362, 1363, 1380, 1513, 1514, 1545, 1551, 1555, 1568, 1575, 1580, 1590, 1595, 1609, 1620, 1622, 1626, 1629, 1635, 1639, 1643, 1644, 1660, 1672, 1692, 1693, 1745, 1759 and 1766 are included under the topic Early Carew History in all our PDF Extended History products and printed products wherever possible.

Cornish surnames are characterized by a multitude of spelling variations. The frequent changes in surnames are due to the fact that the Old and Middle English languages lacked definite spelling rules. The official court languages, which were Latin and French, were also influential on the spelling of a surname. Since the spelling of surnames was rarely consistent in medieval times, and scribes and church officials recorded names as they sounded rather than adhering to any specific spelling rules, it was common to find the same individual referred to with different spellings of their surname in the ancient chronicles. Moreover, a large number of foreign names were brought into England, which accelerated and accentuated the alterations to the spelling of various surnames. Lastly, spelling variations often resulted from the linguistic differences between the people of Cornwall and the rest of England. The Cornish spoke a unique Brythonic Celtic language which was first recorded in written documents during the 10th century. However, they became increasingly Anglicized, and Cornish became extinct as a spoken language in 1777, although it has been revived by Cornish patriots in the modern era. The name has been spelled Carew, Carrott, Carrow, Carrowe and others.

Notable amongst the family at this time was

• Hugo Carew, High Sheriff of Herefordshire in 1380; Lord George Carew, 1st Earl of Totnes (1555-1629), who served under Queen Elizabeth I during the Tudor conquest of Ireland and was appointed Presiden...
• Bampfylde Moore Carew (1693-1759) was an English rogue, vagabond and impostor, who claimed to be King of the Beggars. He was inspiration of the book The Life and Adventures of Bampfylde Moore Carew wh...

In Newfoundland, Canada, the name Carew is the 224th most popular surname with an estimated 194 people with that name. 5

Some of the Carew family moved to Ireland, but this topic is not covered in this excerpt.
Another 209 words (15 lines of text) about their life in Ireland is included in all our PDF Extended History products and printed products wherever possible.

 Carew migration to the United States+

An inquiry into the early roots of North American families reveals a number of immigrants bearing the name Carew or a variant listed above:

An inquiry into the early roots of North American families reveals a number of immigrants bearing the name Carew or a variant listed above:

• Gome Carew who settled in Maine in 1607
• Mannes Carew, who arrived in Virginia in 1653 6
• Tho Carew, who arrived in Virginia in 1662 6
• Jacob Carew, who landed in Virginia in 1663 6
• Allen Carew, who arrived in Virginia in 1664 6
• ... (More are available in all our PDF Extended History products and printed products wherever possible.)

• William Carew, who arrived in New England in 1753 6

• Hugh Carew, who arrived in America in 1805 6
• John Carew, who landed in America in 1807 6
• Richard Carew, who landed in America in 1810 6
• L D Carew, who arrived in San Francisco, California in 1850 6

• Gome Carew who settled in Maine in 1607
• Mannes Carew, who arrived in Virginia in 1653 6
• Tho Carew, who arrived in Virginia in 1662 6
• Jacob Carew, who landed in Virginia in 1663 6
• Allen Carew, who arrived in Virginia in 1664 6
• ... (More are available in all our PDF Extended History products and printed products wherever possible.)

• William Carew, who arrived in New England in 1753 6

• Hugh Carew, who arrived in America in 1805 6
• John Carew, who landed in America in 1807 6
• Richard Carew, who landed in America in 1810 6
• L D Carew, who arrived in San Francisco, California in 1850 6

 Carew migration to Canada+

Some of the first settlers of this family name were:

• Nicholas Carew, who arrived in Nova Scotia in 1818
• Margaret Carew, who landed in Nova Scotia in 1824
• Letitia Carew, who landed in Nova Scotia in 1831

 Carew migration to Australia+Emigration to Australia followed the First Fleets of convicts, tradespeople and early settlers. Early immigrants include:

• Daniel Carew, aged 33, a farm servant, who arrived in South Australia in 1850 aboard the ship "Stag" 7
• Michael Carew, who arrived in Adelaide, Australia aboard the ship "Lord Ashburton" in 1850 8
• Daniel Carew, aged 39, a labourer, who arrived in South Australia in 1858 aboard the ship "Utopia"
• Mr. Richard Carew, (b. 1864), aged 21, Cornish settler travelling aboard the ship "Waroonga" arriving in Queensland, Australia on 6th May 1885 9

 Carew migration to New Zealand+Emigration to New Zealand followed in the footsteps of the European explorers, such as Captain Cook (1769-70): first came sealers, whalers, missionaries, and traders. By 1838, the British New Zealand Company had begun buying land from the Maori tribes, and selling it to settlers, and, after the Treaty of Waitangi in 1840, many British families set out on the arduous six month journey from Britain to Aotearoa to start a new life. Early immigrants include:

• Mr. Ponsonby Carew, British settler travelling from London aboard the ship "Light Brigade" arriving in Lyttelton, Christchurch, South Island, New Zealand on 26th August 1868 10
• Mr. N. Carew, British settler travelling from Gravesend aboard the ship "Queen Bee" arriving in Wellington, New Zealand on 10th January 1872 11

 Carew migration to West Indies+The British first settled the British West Indies around 1604. They made many attempts but failed in some to establish settlements on the Islands including Saint Lucia and Grenada. By 1627 they had managed to establish settlements on St. Kitts (St. Christopher) and Barbados, but by 1641 the Spanish had moved in and destroyed some of these including those at Providence Island. The British continued to expand the settlements including setting the First Federation in the British West Indies by 1674; some of the islands include Barbados, Bermuda, Cayman Island, Turks and Caicos, Jamaica and Belize then known as British Honduras. By the 1960's many of the islands became independent after the West Indies Federation which existed from 1958 to 1962 failed due to internal political conflicts. After this a number of Eastern Caribbean islands formed a free association. 12

• Richard Carew with his wife Elizabeth, daughter and servants, settled in Barbados in 1680

• Walter Carew, who landed in Jamaica in 1780 6

Contemporary Notables of the name Carew (post 1700)+

• Robert Shapland Carew (1818-1881), 2nd Baron Carew
• Stan Carew (1950-2015), Canadian radio broadcaster, musician and actor, best known as a host of the national CBC Radio programs Prime Time and The Entertainers in the 1980s
• Rodney Cline "Rod" Carew (b. 1945), American former Major League Baseball first baseman
• Patrick Thomas Conolly- Carew (b. 1938), 7th Baron Carew
• Charles Robert Sydenham Carew JP (1853-1939), British Conservative politician
• William Francis Conolly- Carew (1905-1994), 6th Baron Carew
• Gerald Shapland Carew (1860-1927), 5th Baron Carew
• George Patrick John Carew (1863-1926), 4th Baron Carew
• Robert Shapland George Julian Carew (1860-1923), 3rd Baron Carew
• Robert Shapland Carew (1787-1856), 1st Baron Carew
• ... (Another 6 notables are available in all our PDF Extended History products and printed products wherever possible.)

Historic Events for the Carew family+Related Stories+The Carew Motto+The motto was originally a war cry or slogan. Mottoes first began to be shown with arms in the 14th and 15th centuries, but were not in general use until the 17th century. Thus the oldest coats of arms generally do not include a motto. Mottoes seldom form part of the grant of arms: Under most heraldic authorities, a motto is an optional component of the coat of arms, and can be added to or changed at will; many families have chosen not to display a motto.

Motto: J'espere Bien
Motto Translation: I hope well.

MyTribe101https://www.mytribe101.com › surname › carew There is a timeline, covering 30 generations from 1086 to 1975, from Walter FitzOther, father of Gerald Fitzwalter first to be associated with the name Carew, ...Croydonisthttps://www.croydonist.co.uk › carew-family 10 Dec 2020 — The Carew family were of noble descent themselves, from the Normans. Nicholas Carew was a cousin of Anne Boleyn and she actually helped him to ..

https://www.croydonist.co.uk/carew-family/

10 December 2020

As I’ve mentioned before, history isn’t my strong point, having sadly dropped the subject at school aged 14. I have a fascination with Croydon’s 20th Century history when our space-age skyline started to form, and I could probably hold my own in a pub quiz if a Croydon history round lightly touched on Elizabethan times and John Whitgift, but any more than where Henry VIII might have stayed whilst he was holidaying in the area and I’d be at a bit of a loss.

It’s a good job we’re joined by guest writer and local historian Tania Rahman to tell us more about Croydon’s past. This week she talks about the rise and fall of the Carew family, who owned an area of Thornton Heath and Norbury for 500 years.

—

When I first moved to Green Lane, Thornton Heath with my family in 1994 I did not really know much about the local history of the area. I was too busy with school, then university where I actually studied English Literature. It was not until I started working at the British Museum that I started to take an interest in the local history of Croydon. I started with archaeological discoveries and historical buildings in Croydon and even as far as Beddington, and then I discovered the historical importance of Norbury and Thornton Heath.

The earliest evidence of civilisation I could find in the Norbury/Thornton Heath area (which was originally known as North Bury) was the discovery of Neolithic flint heads and ancient coins. Saxon coins were discovered in 1862 when Thornton Heath railway was being built; 250 silver coins which were dated during King Alfred’s reign were discovered on Whitehorse Manor Road (along with Frankish and Oriental coins according to the British History Online website). Also, according to the Pollard’s Hill Resident Association website Roman coins were also discovered in Pollard’s Hill, Norbury.

Croydon is on the route between Sussex and London so it made sense that visiting or invading civilisations like the Saxons would leave evidence of their presence or even choose to settle down here.

Supposedly a Manor House existed on Bensham Manor Lane. The area was originally called Benchesham and was owned by the Rochester Monks, then by two Bishops of London and an Archbishop of Canterbury. I also discovered that a lot of land had been passed onto royalty or probably been taken over by them. Henry V appeared to own the area and then it seemed to pass to Henry VIII, then his son Edward and then his daughter Mary I.

However Tudor Royalty were never the true owners of Benchesham. By the late 13th century it had been divided into North and South Benchesham; then North Benchesham became North Borough and then Norbury as it is known today. For over 500 years the Carew family owned the area, except for a brief period when Henry VIII owned it. He actually had the owner Nicholas Carew executed on unproven criminal charges to seize his lands, only for his daughter Mary I to restore them to the Carew family.

The Carew family were of noble descent themselves, from the Normans. Nicholas Carew was a cousin of Anne Boleyn and she actually helped him to get a place at court. However Carew disliked Anne and was clearly not grateful for her help as he allowed Henry VIII to court Jane Seymour at another of his residences, Beddington Park, or Carew Manor as it was known then. The Carews are said to have owned land in Norbury and Thornton Heath right up to the 19th century.

They were also a troubled family. In 1630 Francis Carew fled to France to escape debt and was reprimanded by his father in a letter. By 1634 Francis had returned to England and his own son (whom he had left behind with his wife) had lost his inheritance. Nicholas Carew had also been heavily in debt, had to sell his possessions and even considered leaving his family until he inherited Beddington Estate from his childless uncle Francis Carew I. Even then he still had debts of £4,000 and by the time Francis II, as he was known, died the estate still owed £1,500 in 1649 (over £250,000 in today’s money).

Beddington is also of Saxon, possibly even Roman origin. (Both Croydon and Beddington are built on triangles of energy lines known as ley lines. These triangles intersect to form a Pentagram). Beddington Park was also owned by Walter Raleigh when he married Elizabeth Throckmorton of Carew Manor. Queen Elizabeth I visited him there and both of their ghosts are said to haunt the area.

Posted by Julia and guest writer Tania Rahman

The header image is adapted by the Croydonist and sourced from The Portable Antiquities Scheme/ The Trustees of the British Museum. The map image is a crop from ‘A Vision of Britain through time: This work is based on data provided through www.VisionofBritain.org.uk and uses historical material which is copyright of the Great Britain Historical GIS Project and the University of Portsmouth. The portrait is of SIr Nicholas Carew by Hans Holbein. 

Tania Rahman works at the British Museum and attended Old Palace School from 1988 to 1993.

By GREGORY JAYNES Monday, Jul. 06, 1987

Lloyd Carew-Reid who is a classical guitarist living in New York City,
who once played a cat-and-mouse game with Manhattan cops to fight 
for the rights for buskers to make music in the New York Subways. now continues to campaign average American's constitutional rights... 
"This is America!" was his thought.
 "They can't do this to me! It's against my constitutional rights!" 
The musician and the First Amendment double-teamed the court and won.

For three years Lloyd Carew-Reid, a classical guitarist living in New York City, played a cat-and-mouse game with Manhattan cops. What the man wanted to do was make music in the subway system, hoping his melodies would coax some change out of commuters' pockets. But there were rules against such conduct. In time Carew-Reid, an Australian, got down on himself for trying to make a living in so frustrating a fashion. Then one night a banal but correct notion changed his life. "This is America!" was his thought. "They can't do this to me! It's against my constitutional rights!" The musician and the First Amendment double-teamed the court and won. These mornings you can catch him happily playing below-ground Bach at 59th and Lexington, where he says, "It's a free world down here now."

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